Showing posts with label names. Show all posts
Showing posts with label names. Show all posts

Saturday, April 11, 2015

Live the questions

The most uncomfortable but essential part of finding your bliss, Campbell argues, is the element of uncertainty — the willingness to, in the timeless words of Rilke, “live the questions” rather than reaching for the ready-made answers:
The adventure is its own reward — but it’s necessarily dangerous, having both negative and positive possibilities, all of them beyond control. We are following our own way, not our daddy’s or our mother’s way… Life can dry up because you’re not off on your own adventure.
[…]
There’s something inside you that knows when you’re in the center, that knows when you’re on the beam or off the beam. And if you get off the beam to earn money, you’ve lost your life. And if you stay in the center and don’t get any money, you still have your bliss. - Brain Pickings, Maria Popova
Mahina rises just ahead of the Sun on an 'Ole Pau morning. On my way between the toaster oven plugged into the tract outside the metal-sided hale au'au  (wash house) I spied her in the space between the long lean bodies of the Tall Ones. Excited to see her and wishing to 'capture' her shape I scrambled up the porch and into the dark vardo. Pete was still asleep, but, not for long as I rattled the wire basket dangling from the ribs of the sleeping room. Sorry Pete. "Honey, can I turn on the light for a minute?" My honey rarely says no to me ... Thanking him I finally found the camera but by that time the clouds were loving the moon more than I and there was no capturing the moon. 'Aue, oh well.

The thing that is happening to me that is a consequence, and reward, as I see it now: I am forgetting more often. Reward? That is something to be grateful for? Let's play through for a minute or two. The thing I'm forgetting more often is what day it is. For awhile now, that has been true. "What day is it?" I'd ask Pete, or he'd ask me. If there was a cell-phone close by one or the other of us would flip the lid on our antique cellphones and read the answer on the tiny screen. Lately though I forget what Roman or Gregorian name captures the day. I know it's 'Ole Pau, but I don't know first off that it's Saturday.

Slow to medium the branches of wisdom, the alaula permeate the distractions of schedules and appointments; or the pressure to be doing (ain't that a kick in the central nervous system) something productive. Or as my son emailed me not long ago, "I had a big comprehension jump in the last week so that's exciting. Mostly language maybe other things." Christopher is living in France, and learning the culture and language. It's been five years since he first arrived in Paris (while still living on O'ahu) to teach lomilomi. It was there he met his wife-to-be, Laurence. The journey of coming together crossing cultural and visa-determined prescriptions has meant juggling the weighty and unexpected demands of both the outside world and the one we function with on auto-pilot. 

Something like that has happened, is happening, with me as I forget the prescribed daily names, and integrate the value of kilo and observe myself as part of the nature of Kaulana Mahina the Hawaiian Moon Calendar. 'Olelo Hawaiian vocabulary replaces English/Roman/Gregorian. Mahina is 'half-half' in shape just before the sun rises. I saw her myself on the way back from the hale au'au. Did anyone else see her? Probably. But, the deal is in the woods this morning Pete was asleep under the covers. JOTS out somewhere hunting, trying to stay out of the drizzles. The Tall Ones watched it all, as they do. And I with my camera shot into the dark. Finally, I learn the name some of The First Peoples' of these Salish lands and sea gave this island. Not just Whidbey Island, she is Tscha-kole-chy. Some day I will find someone to pronounce it accurately for me so I can speak it, integrate it.

Yesterday was 'Ole Kukaki. Today must be 'Ole Pau. "Are you sure?" "Sure enough", said the Cheshire Cat as she lived the question.


A shot in the dark. The Tall One saw it all.

Saturday, September 12, 2009

A name of her own

I wrote this article in 2004 for the now historic(no longer in print) "Hawaii Island Journal" a wonderful small press that covered Hawaii Island news with heart. I lived on Oahu at the time and wrote a twice a month column "Makua O`o." This was the first place I shared the teachings of an elder in training, and it was such a fun way to share my delight for small and naturally occurring miracles. "Notice" would be one of the o`o I might have been focused on when I wrote it. Maybe, some other ...

I found this file as I sat doing 'ole day activities ... cleaning and weeding through a hundred files that need to be culled or stored somewhere else. When I opened it I was surprised. You lose track of what you write, and then there they are ... those words. What is particularly sweet is to read this story and appreciate it as history. That mango tree "Tutu Abuela" ... my old family tree is no longer. In my memory she remains, and I'm happy to store her there. Delete? No, not yet.

And yes, that is my full name given me at birth.

A name of her own
By Yvonne Mokihana Calizar

When it rains hard sheets of water drum dense summoning the wind. Together they make quiet a racket, pocking up the stiff dried dirt making thick mud soup where the eaves are without gutters. I love the rain almost as much as the trees and croton hedges love the wetness. I know they lap up the liquid like any child would a favorite smoothie or icy drink on a hot Kuli`ou`ou afternoon. Tutu Abuela our mango tree is an old friend to both the rain and the winds. Thanks to the reoccurring cycles of air, wind and rain, she has set her roots deeply, spread wide her branches and in her lifetime buckets of mele mango have ripened and fed family and friends. If there is culture in my life Tutu has been present through all of culture’s time. She has seen the home place large and open with a grassy lawn cut into baseball diamonds for home-style neighborhood games. When there were dogs on this kuleana we kept them on chains wound around her trunk. She was accommodating. I wonder whether the old wounds I find deep at Tutu’s base are a memory of those chains. I was unconscious of the special place this tree would play in my lifetime when we had a huge front yard and kept our dogs chained. Small was my awareness that a tree would play such a consistent role of nourishment for me.

Until recently our mango tree was without a name. She was my ‘mother’s mango’ tree to many of us and I realize I would call her that as a way of keeping Ma close to me. To say she was my mother’s made me feel un-alone. Visitors to our place have easily felt my mother’s energy. For years I have asked my mother to guide my choices when the decisions I have to make seemed impossible. Living in ‘her’ house meant living with her spirit, her ways of seeing things, and her beliefs. A subtle and important change has happened to me because I have given our mango tree a name of her own. Tutu Abuela. Both words mean the same thing in English. They mean ‘grandmother.’ But to me the importance of a Hawaiian-Spanish name like Tutu Abuela means I have made room for the missing “me.” Calizar, my family name is a Filipino name with strong links to the blood of the Spanish. It is an uncommon name and with it comes a mystery that I hope to understand. Sometimes bits, bites or chunks of our history and our culture are shut in rooms without keys. I know almost nothing about my family in the Philippines, but sense that it is time to live my life with that family present more often. I’ve begun making room for that piece of me.

It began with the rainy season. Caring for a mango tree means different things. I rake the fallen leaves, sorting out the little rocks that get caught in my rake as I gather up the thick curved leaf fingers into piles. We’ve kept Tutu fat – she is nearly as wide as she is tall and that means the clothes lines that stand beneath her now brace one of her heavy limbs to the south. Our back yard is one-quarter mango tree so her presence is legion. You cannot NOT see her. The shoots along her limbs have grown thick as well creating a virtual mango forest within one old tree. The leaves catch rainfall and funnel water into the craggily, cracked valleys of the mango tree. Over the years, without noticing, these pockets of water have become drinking fountains for mosquitoes, ants and families of other crawling critter. Tutu developed crotch-rot of the worse kind. It’s funny how my attention to others –other people’s mango tree’s, other people’s ways of living with or without trees—had distracted me from the disease living right under my nose. I was busy amplifying my righteous attitude about my neighbor’s decisions to cut their trees and did not see that large wounds were steadily wearing into the heart of the matron mango. Ants had moved dirt into the weakened joints of the low growing tree creating soft spots that would eventually split the fifty-year old in two.

I suppose if Tutu Abuela was one of a forest of wild mangoes the rot would continue and eventually the ants and their families would take the tree down. The kupuna would become a nurse log for keiki, creating a fertile place for seeds dropped by a bird to set roots and sprout. Portions of the once-strong mango might be vital enough to retain the identity as bearer of perfect fruit. But the chance that all traces of mango would disappear would be as likely as any. Tutu Abuela is not a wild mango growing in a lost and isolated tropical paradise. She is a mango tree with a name of her own, and she is part of me. We have begun tending to the puka in her heart, and with tender words spoken as we cut the rot from her she continues her place in my culture. My family knows that I ask her questions and listen as she answers. My family knows that she is important to the health of this place and that means she is important to my health.

Parts of our culture will be subject to crotch-rot and invasive bugs – over-stimulation, fear based beliefs and tending to other’s business rather than our own among them. My relationship to my culture is a living and changing business. It’s definitely my own business, and may seem odd to those who observe me at it. But, the truth I learn by cultivating a love for things over which I have seemingly unquestionable power is: if I neglect or take this love for granted I will never know how valuable a story ‘She who has a name of her own’ has to share. It is raining steadily and by the morning Tutu Abuela’s pockets will overflow with water. We’ll need to remember to clean her wounds. A small thing. A good thing.

Tuesday, August 25, 2009

Passing the bowl: tradition and value













Makua O`o is an active, living description of a human being involved in living with purpose and in pono (in harmony with all). I'm perched on the futon looking at these pictures asking them to give me inspiration to express something that is more than just 'talking into a fan.' I'm digging into my na`au (my gut) to put something ... a word picture that will aid me in acknowledging my value, my contribution.

Sometimes I lose touch with the purpose for being here...distracted by the challenges, obsessed with the countless adjustments, saddened by loss. I forget that ALL the discomfort of a twenty-four hour experience with multiple chemical sensitivities also includes beautiful times, exquisite moments and examples of humility and laughter.

The photos look back at me and I am reminded of the legacy of a culture that believes in working hands. The pohaku ku`ai (the poi pounding stone) my son carries, I passed to him from his Tutu Kane (grand father). I have used the pohaku to carry many stories shared with me in communities throughout the islands and the continental America. I carried the legacy of connectedness, my son took the pohaku back to the lo`i kalo (taro patches) and used the pohaku to make poi.

The calabash ... the koa bowl is similar though not the same bowl, that I too carried to communities as I gathered stories, listened to them shared from the heart. My mother first owned our family calabash. She kept it in her home. I took it out and opened doors she might never had thought to enter. That bowl ... our family bowl was passed to my son. When it was time for him to make a trip to Aotearoa (New Zealand) to learn and share traditional healing practices, a gift was necessary. "Special treasures are being taken over there, Mom." He told me this over the phone. "Well, you have the most treasure possession in your hands now." "I know," he said. "You ask, say your prayers and see whether the bowl is the gift to take with you. You'll get the answer." "Thanks Mom."

My cousin RosalynnMokihana passed into spirit earlier this month. When she passed a legacy of culture and tradition passed to me because we shared the value of the name. We carry the "Mokihana" name and I honor it as I also honor the bowl and the pohaku. Kanaka Maoli (the original people) of the islands called Hawaii, have a memory and a responsibility to sustain the culture. Layered over with systems and practices of hewa (wrong doings) and occupation, the island culture has been Touristized and Adapted. It's difficult to find the soul of the culture ... and to be truthful the real stuff has been hidden on purpose until time and education filled the hearts, minds and souls of the young; until the Makua remembered the faded dreams of value. Slowly, and now steadily the value builds.

I treasure my name as I treasure the life-times of those who have gone before me. I am the fourth Mokihana in my family line ... My life has taken me far from the island, and challenged me to survive and to transcend the very toxins and toxic ideas and chemicals that have sickened thousands before me. In the comfort of a tiny home on wheels parked thousands of miles away from the sands of my birth, I peck away at words that will not simply be idle chatter. I blog, I draw inspiration from many sources, and the name works beautifully...as a whole. I know how much work comes with that name, and rest during the 'Ole cycles of the moon.

I value the legacy of storytellers ... my father, my mother ... who birthed this round-bodied physical me. The ability to paint word pictures with the voice has been a treasured gift in our family. The gift of gab ... yes, and more. The time that is now offers me access to a whirl of readers, and a potential collective ready to make decisions based on a different truth. Words have power and I respect them. It must be enough for me to do my best and not ... wait for praise because someone values them, too.

The Makua O`o is a man or a woman who is given a few basic life tools to learn life. The tools are useful for any number of tasks, and will sustain a lifetime of use. The discovery of living will not pass to those in a rush to finish. Life will end soon enough. What this Makua is learning is to value the tools as useful, if I use them ... every day; know where they are when I need them; care for them when not in use. Then, when it's time to pass one or two or three of the o'o to a Makua down the line ... aue (alas) I will know where to find them.

Aloha, Mokihana